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A Writer's Retreat

~ Author Candace Robb chatting about York, medieval history, and the writing life.

A Writer's Retreat

Tag Archives: A Conspiracy of Wolves

A Conspiracy of Wolves the Editor’s Pick for April! (August in the US)

23 Saturday Mar 2019

Posted by Candace Robb in A Conspiracy of Wolves, Owen Archer and Lucie Wilton

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A Conspiracy of Wolves, Edmonds Bookshop, Geoffrey Chaucer, Leeds, the Leeds Library, the Owen Archer series, York, York St John University

I am so excited that my new publisher, Severn House, has chosen A Conspiracy of Wolves, the 11th Owen Archer, as their Editor’s Pick for April in the UK! They have some wonderful things to say about it, too.

“With A CONSPIRACY OF WOLVES, Severn House is delighted to welcome to the list the highly-acclaimed historical mystery writer Candace Robb who, after a 10-year gap, has chosen to return to the bestselling medieval mystery series that made her name….
“Wonderfully atmospheric and impeccably researched, A CONSPIRACY OF WOLVES reintroduces readers to Robb’s eclectic cast of much-loved characters, including the enigmatic healer Magda, the fastidious Brother Michaelo, and not least the upright, fairminded Owen Archer himself, as he doggedly pursues the truth behind the shocking deaths of Bartolf and Hoban Swann. Real historical figures mingle seamlessly with fictitious: I particularly liked Robb’s portrayal of the garrulous, gossipy Geoffrey Chaucer, who makes for a brilliantly contrasting sidekick to the more sober, taciturn Owen.”

You can read the entire blog post here!

And just in case you haven’t check out my appearances/events page, here’s where you can find me in the UK in May!

UK events in May–I look forward to seeing you!

16 May, Thursday, 6:30-8:00 pm, I’ll be at the Leeds Library, Commercial St., Leeds, in conversation with Chris Nickson and Sara Porter (editor, Severn House)

18 May, Saturday, 2:00-3:00 pm, I’ll be giving a talk at Pontefract Castle: Kings, Wolves, & Coroners (£3–tickets  here) More details here. I look forward to seeing you!

21 May, Tuesday, 6:00-8:00 pm, I’ll be in York! De Grey Lecture Theatre, York St. John University, in conversation with Chris Nickson and Kate Lyall Grant (publisher, Severn House)

Of course I’ll also rush around York signing all copies of my books everywhere. So stock up!

First signing date for the US is:

17 August 2019, Saturday, noon-1:00pm  Come chat with me while I sign copies of A Conspiracy of Wolves (and many other books!) at the wonderful Edmonds Bookshop
(111 Fifth Ave South   Edmonds, WA 98020) 
Make a day of it and explore this beautiful town on the Sound!

Joan of Leeds, or The Nun’s Tale

14 Thursday Feb 2019

Posted by Candace Robb in A Conspiracy of Wolves, Owen Archer and Lucie Wilton

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A Conspiracy of Wolves, Antonello da Messina, archibishop, Beverley, Joan of Leeds, The History of Clementhorpe Nunnery, The Nun's Tale, the Owen Archer series, The Virgin Annunciate, York

As the publication of A Conspiracy of Wolves (Owen Archer 11) approaches I have been meandering down memory lane, exploring the arc of what I think of as the first series, visiting characters confined to one or two books. One such character is Dame Joanna of Leeds, the mysterious woman at the center of my third Owen Archer mystery, The Nun’s Tale, whom I based on a woman I’d encountered in a monograph about Clementhorpe Nunnery in York. Though she was largely my creation, she challenged me–slippery, possibly mad, yet oddly compelling, she haunted me all the while I worked on the book. I still think of her whenever I see Antonello da Messina’s The Virgin Annunciate, which I stared at as I wrote. Those of you who have read the book will recognize the blue mantle, and remember its significance. I am so glad that my editor at St. Martin’s Press agreed to use it for the cover of the first US edition.

You can imagine my surprise when this past Monday I peeked at The Guardian online and discovered an article about “my” Joanna of Leeds!

As I wrote in the Author’s Note of The Nun’s Tale:

“Whence came Joanna?  In The History of Clementhorpe Nunnery (R.B. Dobson & Sara Donaghey, York Archaeological Trust 1984, p. 15) is the following item:

“ ‘In 1318 there is mention of [an] apostate, Joanna of Leeds.  Archbishop Melton ordered the dean of Beverley to return the nun to her convent…  Apparently Joanna had defected from her religious order and left the nunnery.  However, in order to make her defection credible, she had fabricated her death at Beverley and, with the aid of accomplices, even staged her own funeral there.  The archbishop was prepared to take a lenient view of these excesses.  He directed the dean of Beverley to warn Joanna of the nature of her sins and, if she recanted them within eight days, to allow her to return to Clementhorpe to undergo a penance.  Melton further urged the dean to undertake a thorough investigation of the case, and to discover the names of Joanna’s accomplices so that he might then take suitable action.’

“The story intrigued me.  Was Joanna discovered, betrayed, or did she request to return to St. Clement’s Nunnery?  If it was her choice, why make such an about face?  She had gone to great lengths to escape and make it permanent.

“I moved the incident to 1365-66, putting it in Archbishop Thoresby’s time, which provided me with a serendipitous relationship—Thoresby’s nephew, Richard de Ravenser, was a canon of Beverley at this time, as was William of Wykeham.  Nicholas de Louth is also a real person.  Because I moved Joanna’s story in time, none of the participants in the book had anything to do with the real story of Joanna of Leeds.”

Imagine my excitement when I read the article—more information!

“A marginal note written in Latin and buried deep within one of the 16 heavy registers used by to record the business of the archbishops of York between 1304 and 1405 first alerted archivists to the adventures of the runaway nun. ‘To warn Joan of Leeds, lately nun of the house of St Clement by York, that she should return to her house,’ runs the note written by archbishop William Melton and dated to 1318.

“Melton, writing to inform the Dean of Beverley about the ‘scandalous rumour’ he had heard about the arrival of the Benedictine nun Joan, claimed that Joan had ‘impudently cast aside the propriety of religion and the modesty of her sex’, and ‘out of a malicious mind simulating a bodily illness, she pretended to be dead, not dreading for the health of her soul, and with the help of numerous of her accomplices, evildoers, with malice aforethought, crafted a dummy in the likeness of her body in order to mislead the devoted faithful and she had no shame in procuring its burial in a sacred space amongst the religious of that place’.

“After faking her own death, he continued, ‘and, in a cunning, nefarious manner … having turned her back on decency and the good of religion, seduced by indecency, she involved herself irreverently and perverted her path of life arrogantly to the way of carnal lust and away from poverty and obedience, and, having broken her vows and discarded the religious habit, she now wanders at large to the notorious peril to her soul and to the scandal of all of her order.’”

Even better, the article announces that more material from the registers of the archbishops of York is to be translated and published! I can’t wait!

Cover Reveal for A Conspiracy of Wolves

31 Thursday Jan 2019

Posted by Candace Robb in A Conspiracy of Wolves, A Murdered Peace, Kate Clifford, Owen Archer and Lucie Wilton

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A Conspiracy of Wolves, A Murdered Peace, the Kate Clifford Mysteries, the Owen Archer mysteries

Forgive my long silence. It’s been a productive time! In early December I reviewed the copy edit of the 11th Owen Archer, A Conspiracy of Wolves, and approved the gorgeous cover. Here it is! (Didn’t the team at Severn House do a great job?!) The jacket copy:

“1374  When a member of one of York’s most prominent families is found dead in the woods, his throat torn out, rumours spread like wildfire that wolves are running loose throughout the city. Persuaded to investigate by the victim’s father, former Captain of the Guard Owen Archer is convinced that a human killer is responsible.  But before he can gather sufficient evidence to prove his case, a second body is discovered, brutally beaten and stabbed to death. Is there a connection? What secrets are contained within the victim’s household and circle of friends? And what does apprentice healer Alisoun know that she’s not telling?

“Teaming up with Geoffrey Chaucer, who is in York on a secret mission on behalf of Prince Edward, Owen’s enquiries will draw him headlong into a deadly conspiracy.”

Severn House will publish the hardcover in the UK on 30 April, followed by the ebook on 1 August. The first of August is also the date for publication in the US and Canada, in both formats. Your wait is almost over!

The reception of the third Kate Clifford, A Murdered Peace, has been wonderful! A sampling:

“Just when I think Candace Robb can’t get any better as a writer, she does. I really enjoyed the previous two Kate Clifford books, and this brings her story together in a compelling way. The characters continue to be engaging and interesting. The story moves at a quick pace, but yet still gives time for development and thoughtful insights. A great read!” –Amy J Rio (Goodreads)

“I have read and enjoyed all of Candace Robb’s novels, but she really out did herself in this one. The characters are complex and beautifully developed as we watch the growth in Kate Clifford’s relationships with two strong and appealing men–Berend and Elric–and watch the two men grow in admiration for one another.” Judith E. Kuhn (Amazon)

“The best in the series so far. An intricate plot that never loses its way, no matter how far the web stretches, and a perfect evocation and place and the turbulent political times that comes to York.” –Chris Nickson (Goodreads)

“Kate Clifford is an ideal heroine, independent, beautiful, ingenious, loving, and always the searcher. Ms Robb provides us with actions that demand answers by characters that are believable and always striving for answers to mysteries. Great read.” –Kenneth Boyle (Goodreads)

Thank you all, readers and reviewers! I’m feeling the love.

What am I doing now? Wrestling with the opening chapters of the 12th Owen Archer and with a new website which will incorporate this blog. Changes coming…

Coming Soon–A Murdered Peace, Kate Clifford 3

04 Tuesday Dec 2018

Posted by Candace Robb in A Murdered Peace, Kate Clifford

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A Conspiracy of Wolves, A Murdered Peace, Aunt Agatha's, Historical Novel Society, Mystery Scene, Robin Agnew

A Murdered Peace will be published on 11 December, and just in case you haven’t YET preordered the trade paperback or e-book, here are some glowing reviews and an interview to entice you.

The Historical Novel Society says: “Robb deftly weaves in historical background and details, ranging from political context to facets of daily life. Fans of medieval history will enjoy the details of running a household and cooking, the history behind women’s jewelry, and the intrigues between different factions in York and beyond. Mystery fans will appreciate how Robb manages the many characters and plot twists, tying up seemingly loose ends into a creative and rational outcome. Kate Clifford is an intriguing character in Robb’s oeuvre, privileged enough to mix with the upper classes, yet streetwise and welcoming to the poor. Through her, readers are afforded a well-rounded view of 15th-century life, as well as a page-turner of a tale.” I’m all smiles! Click here for the full review (which reveals something delicious for Owen Archer fans).

Robin Agnew, owner of Aunt Agatha’s Mystery Bookshop (now online), posted this review of A Murdered Peace on the shop’s blog. And she also interviewed me for her new blog on the Mystery Scene magazine site–click here to read the interview. We’re old friends, so this was a lot of fun.

Need more enticement? Click here for an earlier post with reviews of A Murdered Peace.

I am thrilled the book is being received enthusiastically (Publishers Weekly recommended it in their holiday guide!), for I love these characters. It was tough to drag myself away from them to resume the Owen Archer series. But never fear, I’ve just reviewed and returned the copy edited manuscript of A Conspiracy of Wolves, the 11th book in the Owen Archer series, and it’s off to the printer! It will be out in hardcover in the UK on 30 April 2019, and in hardcover and e-book in the US and around the world on 1 August. I’ll be in England for some talks and signings in May–stay tuned for details!

Pre-publication Reviews for A Murdered Peace

24 Friday Aug 2018

Posted by Candace Robb in A Conspiracy of Wolves, A Murdered Peace, Kate Clifford, Owen Archer and Lucie Wilton

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A Conspiracy of Wolves, A Murdered Peace, the Kate Clifford Mysteries, the Owen Archer mysteries

Working toward a looming deadline on the eleventh Owen Archer, but wanted to share some quotes from early reviews for the Kate Clifford novel (#3), A Murdered Peace, coming out in December!

From Publishers Weekly, a starred review!
“Set in York in 1400, Robb’s superior third Kate Clifford mystery (after 2017’s A Twisted Vengeance) puts the redoubtable heroine in considerable peril. Richard II has been deposed and succeeded by his cousin, Henry IV. After Henry survives a plot to return the throne to Richard, the sovereign sees conspirators everywhere. Kate, who runs a guesthouse whose upper chambers are frequently rented to the wealthy for private assignations, finds herself between a rock and a hard place when an old friend, Lady Margery Kirkby, appears at her door seeking shelter. Lady Margery’s husband, Sir Thomas, sought to persuade Henry to improve the conditions of Richard’s imprisonment, but ended up branded an enemy of the crown and decapitated. Kate takes the new widow in, but the risks to herself increase after her former cook, who’s suspected of being a threat to Henry, is accused of murder. Robb effortlessly integrates the era’s intrigues into a whodunit framework and peoples the plot with a wide array of characters readers will come to care about.”

From Writer & Readers Magazine, Cynthianna Matthews sums up her review: “A Murdered Peace has all the hallmarks of Candace Robb’s work. Kate Clifford and her fellow people of York are complex living characters, and meticulous period research doesn’t get in the way of a fine flowing narrative and a genuine sense of mystery and peril.”

From Kirkus: “Those who meddle in the affairs of kings live to regret it…A …tale of love and murder set in a turbulent period when death and betrayal lurk around every corner.”

I’ll take those!

Remember to preorder–that and reviews on amazon or goodreads are exceedingly helpful ways to support your favorite writers!

Windows shut against the wildfire smoke, I’m madly revising A Conspiracy of Wolves–off to agent next week, to publisher at the end of September. As soon as I have a publication date I’ll let you know!

Where Have I Been?

07 Tuesday Aug 2018

Posted by Candace Robb in A Conspiracy of Wolves, A Murdered Peace, Kate Clifford, Owen Archer and Lucie Wilton

≈ 4 Comments

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A Conspiracy of Wolves, A Murdered Peace, A Twisted Vengeance, the Kate Clifford Mysteries, the Owen Archer mysteries

You are wondering, aren’t you? You’ll be happy to read that I’ve been writing A Conspiracy of Wolves, the 11th Owen Archer. I’m now racing to the finish, and then I’ll be polishing and adding depth and details–the manuscript goes to my new publisher at the end of September. (More about my new publisher next month.) It is such a delight to spend months in the company of Owen, Lucie, Magda, Alisoun, and all the gang!

An amusing note about the name change: I’d chosen the title A Rumor of Wolves, but it caused headaches for US/UK cover design because “rumor” in the US is “rumour” in the UK. So now the rumor(our) is a conspiracy.

In other news, A Murdered Peace, the 3rd Kate Clifford mystery, will be coming out in early December (US, Canada, and UK ebook and trade paperback). I think you’re going to love the wrap up to the first three books about Kate.

 

Also coming in December, A Twisted Vengeance (Kate Clifford 2) in trade paperback!

 

A Writer Reading: White Fang by Jack London

29 Thursday Mar 2018

Posted by Candace Robb in Owen Archer and Lucie Wilton, Shop Talk, The Writing Life

≈ 6 Comments

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A Conspiracy of Wolves, authorial voice, How Fiction Works, Jack London, James Wood, reading as a writer, Ronad Barthes, White Fang, wolves

**warning: geeky writer post

For the past several years I’ve been browsing books about wolves because, well, I’m writing a book entitled A Conspiracy of Wolves. In my research one book kept rising to the top: White Fang by Jack London. For a while I ignored it, was even, I confess, annoyed that it kept showing up, an old book, surely something better had been written about wolves. But at last I decided to read it, see what all the fuss was about. [Yes, I know, most people read this as children, but somehow I missed it despite loving books about the wild.]

Wolf-wise (oh, how I love the implication of that pairing), it’s a delightful book in many ways, though not informative about wolf packs in the wild. His subject is the formative experience of the eponymous canine, a study of nature vs nurture, to an extent.

I began this post several days ago, saying “I don’t like to write about books I’m still reading, but the introduction of a new character, ‘Beauty Smith’, stopped me cold last night. I didn’t want to read further. Now that intrigues me.” I’ve since finished the book, and I can attest to the page-long description of the odious Beauty Smith being the point in the book at which my enthusiasm flagged; it never recovered. What happened? I thought I’d share with you my experience as a writer reading a book but also reading a writer.

Let me first explain London’s point of view in the book. We begin in the head of one of a pair of men being tracked and terrorized by a pack of starving wolves, led by the female wolf who will give birth to White Fang. A few chapters in, the point of view switches to the female, and then, fairly quickly, her pup White Fang, as he discovers the world of the cave in which he’s born, and then ventures forth into the Alaskan wilderness. But London does not limit himself to the close third person; in his own voice he provides background, details of the landscape, and, in a sense, translates for us White Fang’s perceptions. And, increasingly, London adds to this his very human commentary on White Fang’s limitations as a wolf.

In How Fiction Works (Picador 2008, pp. 6-7), James Wood discusses this authorial voice:

…omniscient narration is rarely as omniscient as it seems. To begin with, authorial style generally has a way of making third-person omniscience seem partial and inflected. Authorial style tends to draw our attention toward the writer, toward the artifice of the author’s construction, and so toward the writer’s own impress. …Tolstoy comes closest to a canonical idea of authorial omniscience, and he uses with great naturalness and authority a mode of writing that Roland Barthes called “the reference code” (or sometimes “the cultural code”), whereby a writer makes confident appeal to a universal or consensual truth, or a body of shared cultural or scientific knowledge. *

* He means the way that nineteenth-century writers refer to commonly accepted cultural or scientific knowledge, for instance shared ideological generalities about “women.” I extend the term to cover any kind of authorial generalization.

Having read a great deal of 19th century lit, I am familiar with this sort of authorial voice, and found London’s comfortable for more than half of the book. However, once I reached the introduction of the clearly bad character at the fort to which White Fang accompanies his native American owner, the authorial voice became far too noticeable. I felt London intruding to instruct me in the “cultural code”, and telegraphing so specifically what was coming that I began to speed read, which, for me, is a sign the author has lost me. As I posted on Goodreads, I give the novel a 5 star up to that point, and a 3 after that, which is actually quite generous. I stayed with the book only because I was curious how London would depict White Fang’s reaction to a city, and then the sophistication of his new owner’s estate (complete with chickens and other dogs). There were delightful moments, but they were drowned out by the “instructive” narration.

After pondering this for a few days and reading some critical material about London’s work I appreciate that the split is intentional: he believed man’s “civilization” was far less noble than the wild, and that man was ennobled by embracing the wild. White Fang’s final owner is clearly meant to seem a cut above those around him, appreciating White Fang for his wildness. He meant to leave him in the wild, but White Fang insisted on staying by his side. So be it. I understand, but it still doesn’t make it more palatable for me.

And yet… this intrusive narration might be completely acceptable if performed by a traditional storyteller—an oral performance, with dramatic pauses for effect, droll asides, expressive body language. In fact, as I write this I can easily imagine enjoying such a performance. I also suspect I would have been oblivious of this aspect of London’s style had I read the book as a child, when I simply devoured stories. (Critical reading is an occupational hazard for a writer.) And I’m quite certain I would have found the narration comfortable had I read it at the time it was published, 1906, when the intrusive narrator was more common in fiction than it is now.

All in all, I’m glad I read it, it’s provided much food for thought, and inspired a geeky blog post. (And I fell in love with White Fang.)

I’m now happily reading Chris Nickson’s new book, The Tin God. Has nothing to do with the Owen Archer mystery I’m writing, it’s just a treat at the end of my day.

A Holiday Gift For My Readers: An Owen & Lucie Chapter

27 Wednesday Dec 2017

Posted by Candace Robb in A Conspiracy of Wolves, Owen Archer and Lucie Wilton

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A Conspiracy of Wolves, Alisoun Ffulford, Lucie Wilton, Magda Digby, Owen Archer

As a gift to all of you who have waited so patiently, I break my rule of not sharing a book before I’ve completed it: here is the (current) beginning of Owen Archer #11. I hope you enjoy it, and may the new year bring you joy, wonder, and peace.

 A Conspiracy of Wolves

© Candace Robb 2017

1
The Dogs in the Night


York, Autumn 1374

The river mist curled round Magda Digby’s rock in the Ouse, dimming the reds and golds of sunset, distorting sound, creating shifting shapes that danced at the edge of Alisoun Ffulford’s vision, chilling her fingers until they were too stiff for the close work. She gathered up the feathers, arrow shafts, and knife with which she had been fletching and returned them to her work basket. She paused with her hand on the door latch, listening to dogs baying. Upriver, she thought, in the Forest of Galtres. “May they be safe,” she whispered. Like St. Francis of Assisi, she felt a bond with animals, so much so that Magda handed over to her all animals brought to the house on the rock for healing. Alisoun preferred these patients to the human ones. Their needs were clear, they did not try to mask their illnesses, and, once healed, gladly departed without complaint or blame. She strained to hear the sounds beneath the dogs’ baying. A man’s angry shout. Another. The same? She could not be certain. The dogs continued as before, which she took to mean they were unharmed. Good.

She lifted her gaze to the blank eyes of the upside-down sea serpent on the bow of the ship that served as the roof of Magda Digby’s house. A cunning choice of building material, the part of the ship with the figurehead. The sea serpent was widely believed to have magical powers. Not that Magda ever confirmed or denied it, but as folk had the same suspicion about her, their unease about the sea serpent and the Riverwoman gave them pause about crossing either one. Nodding to the enigmatic carving, Alisoun whispered, “Whoever trespassed upriver will think again.” A subtle draft and a warmth on the back of her neck, as if the figurehead responded in a gesture of reassurance, felt rather than seen. There had been a time when it had frightened her, but that had passed as she learned to trust to the mystery of Magda Digby’s healing gifts. Now, she took it as a blessing.

Stepping inside, she traded the damp chill and rich, earthy scent of the tidal Ouse for an aromatic warmth, the brightly burning fire teasing out the scents of the dried plants and roots hanging in the rafters to dry. Earlier, she had escaped from its warmth to the cool, fresh air without; now, chilled by the mist, she was grateful for the heat, and the homely familiarity. But she was not at ease—the dogs baying in that eerie mist…

She steadied herself by calling to mind the remedies for dog bite and checking her supplies. Although Magda said folk knew to give guard dogs a wide berth, there was always a first time. Betony for the bite of a mad dog, pound in the mortar and lay on the wound. Or plantain. Vervain and yarrow to be mixed with wheat. Burdock and black horehound need salt. Calendula powder in warm water to drink. She had plenty betony and calendula powder. Though she was unlikely to need it, she was prepared.

Now to her evening meal. The fragrance of the stew pleased her. She had learned to use herbs to season her cooking, making almost anything palatable, even a coney that some would have rejected as too old and gristly for the stew pot. With Magda away, Alisoun felt obliged to stay close to the small rock island in the tidal river, so that she might not miss those who came to the Riverwoman’s house for healing. She dare not range too far afield in hunting for food, making do with fish and small prey like the aged coney that had appeared on the riverbank nearby.

She paused with her spoon halfway to her mouth as a lone dog began to bark, an angry sound, and then a man’s startled shout, followed by a loud curse, a few more cries, more pain than anger. Then silence. Alisoun lowered her spoon, bowed her head, and pressed her shaking hands together in prayer. She stayed there until she felt the tremors quiet.

Though Magda scoffed at prayer, she encouraged Alisoun to use her apprenticeship to develop her own skills as healer, not become a second Magda. All that goes before shapes thee. Even thy habit of prayer. Magda honors that. Alisoun had little faith that her prayers were heard—God and the Blessed Mother had stood aside while she lost all her family to the pestilence. But something in the words, the ritual, comforted her. As it did now.

According to Magda, to pay attention to how Alisoun felt about her choices was to heed her inner wisdom, whence came her gift for healing. It was a miracle that Magda had taken her on as an apprentice. In Alisoun’s grief as she watched her family die of the pestilence, she had blamed the Riverwoman for her mother’s death, and demanded that the healer make amends by teaching her all she knew. Magda had given Alisoun shelter for a time, let her observe as she might, and then sent her away to serve as a nurse for Captain Archer and Lucie Wilton’s children, and as a companion to successive invalids. Praying that they were tests, Alisoun had done as she was told—though not without frequent complaint. And though Magda had warned her time and again Thou hast fire in thy eyes, and it is blinding thee, she continued to invite Alisoun to observe her, and, in time, to attend her. The turning point had come at the deathbed of Archbishop Thoresby, where Alisoun had served as the Riverwoman’s assistant. From that time forward, Magda referred to Alisoun as her apprentice—and sometimes simply as a healer.

Looking back, Alisoun wondered at Magda’s patience, and did her best to deserve her gift. She was keenly aware of the trust Magda placed in her, staying behind to see to all who came to the Riverwoman’s rock while she was away. So far Alisoun had done well, challenged only by her usual doubts about her ability, her calling to be a healer. Not when at work—when tending the ill or injured she thought of nothing but how she might best serve. Her doubts arose in the quiet moments. Pray God that was the worst of it. If she disappointed Magda, she did not know what would become of her. Magda steadied her, coaxed her into believing in herself. Without her…

Too much thinking. She finished her modest meal and tidied up, then settled on a stool by the fire and tried to empty her mind, listening to the fire snap, the house creak as it settled for the night, the drying herbs rustle above in the draft from the unglazed windows. With the tide out, the sounds of the river receded to a soft gurgle. Until this evening she had welcomed this part of her day. But the solitude wore thin. She missed Magda and looked forward to her return.

The Riverwoman had accompanied Lucie Wilton and her family to her late father’s manor to the south, Freythorpe Hadden. It was a somber traveling party, escorting the body of Philippa, Dame Lucie’s aunt, for burial. The elderly woman had died in her sleep after a long decline, cared for all the while by Dame Lucie. Most fortunate woman. When Alisoun served as nursemaid in that household she had chafed under the old woman’s watchful eye, but in time she had grown fond of her. Dame Philippa loved to tell tales, and would hold Alisoun’s hand in both of hers as she reached the conclusion, leaning close and looking straight into her eyes. The tales had taught her so much about the important families in York that the city felt less foreign to her—having grown up on a farm upriver, it was a gift.

So many gifts, so undeserving.

Alisoun was roused from her reverie by the clatter and squelch of someone stumbling on the slippery rocks that led from the riverbank on the north to Magda’s rock in low tide. The earlier unease returned, and she fought the impulse to string her bow and ready an arrow as she rose to fetch a lantern. But Magda’s training steadied her. Those seeking a healer should be greeted with open arms, not an arrow aimed at their heart.

In response to a firm rap on the door she swung it open, lifting the lantern high as she intoned, “All who seek healing are welcome here.” Magda need not bother with such greetings. Her mere presence reassured the supplicant. But Alisoun did not yet have that gift.

A man stood on the porch, blocking the fading light. “I seek the Riverwoman.” Pain constricted his voice. He stood slumped, one arm cradled in the other.

“I see you are injured. Dame Magda is away, but she has entrusted me with the care of those who come seeking her,” said Alisoun.

Adjusting the lantern so that she might look at the arm he favored, she noticed him glancing up and bobbing his head at the figurehead, a ritual of respect she had seen before. The injured man was Crispin Poole, a merchant recently returned to York, who had consulted Magda about the pain he suffered in his stump of an arm. Long healed, but still troubling him. Tonight he cradled it as it bled through the sleeve of his jacket.

Saturated, she found when she touched it. She felt him trembling, smelled his sweat. “A knife wound?” she asked.

“Bitten.”

She remembered the baying. “I heard several dogs, then one.”

“Several? No, only the one.” He said it as if he would brook no argument regarding the number. “A hell hound.”

“No doubt it seemed so when it sank its teeth into you.”

“A wolf, I think, though I am told the sergeant of the forest rid Galtres of them.”

Not quite. In winter a small pack came down from the moors, seeking food. They did not harm folk unless threatened. And it was not yet winter. Alisoun might reassure him of this, but Magda’s instruction was to say only what thou must. Thou art here to listen.

“Whether dog or wolf—or hell hound, the remedies are the same,” said Alisoun. “I have some prepared.”

“When will the Riverwoman return?”

“I am not sure. But I do know your wound will not wait.”

“Mistress Alisoun, forgive me, but are you not still an apprentice?”

She might say much to that, but she chose her words. “I have seen to a variety of wounds.” She stepped aside to allow him into the house if he so chose.

He hesitated, then ducked beneath the lintel, and entered.

As she closed the door Alisoun looked out into the gathering darkness, puzzled by the absence of a horse on the bank. Most who traveled through the forest rode if they had the means, and Crispin Poole was wealthy. Or so they said. So he had been on foot when attacked. Doing what? She imagined Magda standing before her, a bony finger to her lips, shaking her head. Thou art a healer, not a spy.

Crispin had settled on his usual bench near the fire. That would not do.

“Forgive me, I should have said—for this you must sit at the worktable.” She led him across the room, conscious of how he must hunch over to avoid the rafters and the hanging herbs. Tall like Captain Archer, yet otherwise so unlike him.

Lighting a spirit lamp for the close work, she instructed him to rest his injured arm on the table. With care, she slipped a hand beneath it so that she might move it about in the light to study the wound. The dog had sunk its teeth in deep. Bone deep. “How did you manage to get it to release you?”

“I—shouted and—  I could not tell you what convinced it I was not its dinner. All I could think of was retrieving what’s left of my arm.”

“You did not kill it?”

“No. Of that I am certain. We locked eyes as we each backed away.” He shivered to describe it.

The experience had unsettled this bear of a man. She wondered what he had done to so anger the dog for it to attack. And the earlier baying. Why did he deny what he must have heard?

She reminded herself that a healer must put the good of the patient before her curiosity. He must not feel compromised. She took a deep breath. Enough talk.

“Some brandywine before I clean it and stitch the flesh together? My ministrations will worsen the pain before relieving it, the worst of it.” And calm him, she thought. She needed him steady.

“I would welcome it.”

Slipping away to pour him some, she also fetched warm water for the calendula drink. With such a deep wound, best to give him that now, and send him home with enough for a day, as well as packing the wound with a paste of betony. And boneset, in case the bone had been damaged.

She sensed his intense eyes following her hands as she worked, but he kept steady and silent. Nary a jerk or a wince. He was accustomed to sudden, sharp pain. Well, the arm. Of course.

It was only when Alisoun was tying the bandage that he spoke again.

“You are young to have such skill.”

“Our queen was younger than me when she took on the role of the king’s helpmeet and mother to all the realm. And Princess Joan—”

“I did not mean to insult you. I wish only to thank you for your gentle, healing touch.”

Alisoun felt her face grow warm and was glad only her hands were in the lamplight. Apparently she was too quick to recite her litany of females who had been treated as grown women by the age of sixteen.

“I pray you,” she said, “I would thank you not to mention my outburst to Dame Magda.”

Crispin nodded. “And I would ask that you tell no one of this incident,” he said. “Not even Dame Magda.” He neither raised his voice nor seemed excited, yet he made it clear he expected her to agree. Something in his eyes.

“That will be difficult if she returns before you are healed.”

“I am confident that you will find a way. My efforts to impress the city merchants would be undercut by tales of such an incident. And I do not wish Dame Magda to know me for a fool who had challenged something so wild and powerful as a wolf.” A slight smile brightened his wide, dark, thickly lashed eyes. An interesting face, unscarred, yet with the uneven color and roughened texture of someone who spent much time at sea. His heft was characteristic of a muscular man going soft as he aged and grew less active. Magda had called him a merchant adventurer—though more the latter, suspecting he earned more of his wealth by eliminating his partners’ competition than by his eye for a bargain. For such a man to be so disquieted by an encounter with a dog, and now this secrecy—the weight with which he made that request belied his flimsy explanation. What had so shaken him?

Secrecy added cost to treatment for those who could afford it—Magda’s rule, as it helped her see to those who had not the means to pay her.

And, indeed, when Alisoun named her fee, Crispin did not object, drawing the silver from his scrip without comment. Hardly the pittance one might feel compelled to pay to avoid looking the fool.

She handed him the pouch of calendula powder, with instructions.

“I am grateful to you, Mistress Alisoun. May God bless you for the work you do.”

She stepped out the door after him, glad to see that she had worked quickly enough that the tide was just beginning to come in.

“I pray you, did you encounter the dog nearby?” She hoped he would find it an innocuous question. “I thought to forage for roots at dawn. But having tasted blood, it might be keen for more.”

“Near enough,” he said. “But if you have foraged in the forest all this while without mishap, I should think you will be safe. May God watch out for you, Mistress Alisoun.”

Crispin bowed to her and set off across the rocks, his boots getting wet in the slowly rising water. I should think you will be safe… Why? Had someone set the dog on him? He’d said he’d been a fool to challenge it. Then why had he done so? And why had it not simply kept its distance as animals commonly did in such encounters? And his denial of the earlier baying. There was something more to this.

As she lingered in the doorway staring at his back she caught a movement to her left. A figure stood at the edge of a stand of trees. Twenty, thirty paces up the riverbank. Watching Magda’s house? Or Crispin Poole?

She thought to warn the injured man, but he had already reached the bank. She might wade across, but why? If he could not see to warning her away from danger, why should she bother? She had fulfilled her duty as a healer, tending his wound.

Glancing back toward the stand of trees, Alisoun saw no one. “My imagination?” she asked the sea serpent. No response. Not a good sign. Once inside she strung her bow and set it near the door, with a quiver of arrows. The tide might be coming in, but she would take no chances.

* * *

A week later, Alisoun woke shortly after dawn, having dreamt again of Crispin Poole being savaged by a hell-hound, a giant creature, black, with blazing eyes. Shivering, she stoked the fire, lit a lamp, and checked the young woman on the pallet by the fire, grateful for an absorbing task. Young Wren’s head was cool. God be thanked, the fever was gone. A simple miscarriage, nothing worse. And, for this serving girl, a blessing. A child would bring only grief.

Gently shaking the girl awake, Alisoun helped her sit up so she might drink the honey water laced with herbs to stop the bleeding.

“If I hurry, my mistress will never know I was gone the night,” said the girl in a hoarse whisper. Her throat was dry from the herbs that stopped the bleeding. The honey in warm water should help that.

“Drink that down,” Alisoun said. “Then we will talk.”

The girl tilted back her head and drank it down, holding out the empty wooden bowl for inspection, her pale eyes watching Alisoun’s face for a sign of argument. “I need the work. I’ve nowhere else to go.”

This is how it was. “Of course. You’ve no fever. Let’s see if you can stand.”

With Alisoun’s assistance, the girl swung her feet down and rose with nary a wobble, even taking a few hesitant steps. “Oh!” She lifted her skirt, saw the watery blood trickling down the inside of her short, fleshy legs.

“Tend it as you do your courses and no one’s the wiser,” said Alisoun. “Your womb is empty.”

“Was it—?”

Alisoun shook her head. “Too early to know aught.”

“Will you help me to the riverbank?”

She should prefer that the girl lie abed for a day. This was the hardest part for Alisoun, keeping her counsel. Thy opinion is naught but interference, Magda would say. If thou wouldst care for her again, do what she asks and no more. She must allow the girl to return to the house where her master lay in wait, and he would continue to lie with her until she conceived a child and carried it long enough for his wife to discover her condition, tossing her out onto the street as a Magdalene.

Unless the charm worked. Alisoun had whispered it over the girl as she slept, a charm said to render a man impotent when he touched her. Magda was not here to chide Alisoun for using it. Even so, she had shivered as she whispered the words, imagining Magda’s sharp eyes watching from afar. No one knew the extent of the Riverwoman’s powers.

A risk. But Magda had said that Alisoun must find her own way…

“Will you?” the girl repeated, tugging on Alisoun’s sleeve with the dimpled hand of a child.

“If that is what you wish, come along while the tide is low. I have prepared a powder for you to add to ale or water and drink down if the pain returns.”

“I cannot be lazy…”

“This is not so strong that you cannot work as usual. You need not be in pain.” She pressed it into the girl’s hand.

Once she had escorted the child safely through the ankle-deep water, Alisoun returned to the hut and sat down by the fire, drying the hem of her gown while planning her day. She should see Muriel Swann, make certain that the flutters she had felt days ago were indeed the child moving in her womb. Not a young woman, this was the first time Dame Muriel had carried a child long enough to feel it quicken, and the experience had both excited and frightened her. Alisoun added to her basket a calming potion for Muriel’s headaches, and a tisane to increase her appetite.

A memory intruded. A dog in the night, and a man’s cries. Terror. Agony. The girl had awakened, calling out in fear, and Alisoun had risen to comfort her, assuring her it was just a bad dream.

But it had been no dream. Had she been alone, Alisoun might have stepped outside, listening so that she might gauge whence came the cry, then set out at first light to see if she might be of help. But the girl was her first responsibility.

Now she gathered the remedies she had administered to Crispin Poole a week earlier. As it was light, she might walk upriver, see whether she could find the injured man. She placed the basket with all she might need on the small chest by the door, then fetched her bow and a quiver of arrows. Poole had not returned, nor had she seen him or heard anything of him, and that silence, that absence made her uneasy.

That, and the dreams.

* * *

A soft rain in the night had freshened the late summer foliage in the meadows and woodland along the road from Freythorpe to York and tamped down the dust, for which Owen Archer was grateful. He knew the misery of riding for hours blinking away the dust in his one good eye, a scarf protecting his nose and mouth. For Lucie and the children, riding in the cart ahead of him, there was still the discomfort of a bumpy ride, but he heard no complaints.

For a while they had traveled behind a group of players who serenaded them with songs and japes, a felicitous arrangement, though he hoped that his eight-year-old daughter Gwenllian would forget the bawdier lyrics. Now that the players had moved on, the monotonous rattle of the cart and horses was punctured now and then by sounds of reapers and gleaners in the fields, though not as many as on their journey to Freythorpe. Harvest was almost over.

He enjoyed watching his wife Lucie with the little ones, admiring how gracefully she sat, back straight despite the jostling. At the moment Gwenllian leaned over her brother Hugh, her dark curls veiling her face and mingling with the five-year-old’s bright red hair. She was teaching him a string game. Lucie held Emma, the baby, guiding the two-year-old’s chubby fingers in the intricate patterns. Emma had a gurgling laugh that easily rose to infectious peals of laughter, resulting in a general jollity. Alfred, Owen’s former lieutenant in the archbishop’s household guard, sat in front handling the carthorse, his companion the children’s chatty nurse, Lena. Every now and then Alfred would nod and shrug, his way of keeping the peace while only half listening. A tactic Owen envied. But years of playing the archbishop’s spy had turned him into a deep listener. Pity. He could use a deaf ear while riding beside the talkative Geoffrey Chaucer.

Yet he was certain his habit of listening had strengthened his marriage. Lucie smiled and laughed with the children now, but last night Owen had held her as she wept for her aunt, and all the years she had wasted blaming Philippa for her father’s decision to send her to a convent after her mother died. He had listened until she exhausted herself, then did his best to persuade her that her tender care of her aunt for the last years of her life more than made up for those long years needlessly estranged. But she had been inconsolable. Bless the children. They seemed the best balm for her spirits.

“Lucie is strong,” said Geoffrey, trespassing into Owen’s reverie.

“I know that.”

“She grieves in her own way.”

“What do you know of her grief?”

“Forgive me, my friend. I meant only to cheer you.”

It was churlish to resent Geoffrey’s presence, Owen knew that. He had hurried to Freythorpe Hadden upon arriving in York and hearing of Dame Philippa’s death. Geoffrey had been fond of her, and she of him. While biding with them in York after the archbishop’s death, Geoffrey had endeared himself to Lucie by keeping her ailing aunt entertained. Arm in arm, he and Philippa would stroll round St. Helen’s Square and down Stonegate, she telling him what she could remember of the people passing by—her memory came and went—he embellishing the bits with invented tales of their younger, secret exploits, inspiring much laughter. She could talk of nothing else when he was called back to London. Such a storyteller, he is! And wise.

“Forgive my temper. It was good of you to come,” said Owen.

“I lost my most appreciative audience with her death.”

“That you did.”

“Hah! I made you smile. I count that a victory worthy of celebration with tankards of Tom Merchet’s fine ale this evening. Will you join me?”

“If all is well at home.”

“It will be. Your son is a trustworthy young man.”

Jasper, their foster son and Lucie’s apprentice, had been left in charge of the apothecary. By choice. He had been eager to prove he was capable of seeing to the business for a fortnight.

“As I said,” Owen muttered.

“I promise not to press you about the prince’s proposal.”

“That may be the least of my concerns.” Owen gestured toward two men on horseback approaching their small company. One wore a Benedictine habit, and rode with a familiar grace.

Geoffrey shaded his eyes. “You know them?”

Alfred had seen them as well, and slowed the cart. Owen rode up beside it.

“Can that be Brother Michaelo?” asked Lucie. “I thought he had agreed to stay as Archdeacon Jehannes’s secretary. But if he is on the road…”

Upon Archbishop Thoresby’s death his secretary, Brother Michaelo, had found himself without a home, without a purpose. A Benedictine, he had left the Abbey of St. Mary’s in York during the incumbency of the reasonable Abbot Campion. Unfortunately, the current abbot, knowing of Michaelo’s penchant for handsome young men, and a long-ago attempt to poison the abbey infirmarian, refused to receive him back in the fold. An earlier plan to return home to Normandy and seek a place in a modest priory near his ancestral home had clearly been one Michaelo pursued with reluctance. The compassionate Jehannes, Archdeacon of York, had suggested the monk stay with him for a time, believing there must be work for a man of Brother Michaelo’s experience in the city. Jehannes had need of a secretary, though not sufficient to keep Michaelo regularly engaged. He hoped to find other clerics who might need some of the monk’s time. But Michaelo’s reputation preceded him, and so far clerics proved reluctant.

“It is indeed Michaelo,” said Owen, “accompanied by Bartolf Swann, if I am not mistaken.”

“A strange pair,” said Lucie. “What business would Michaelo have with the coroner of Galtres Forest? Do you suppose they are taking ship together?”

“I very much doubt it. Michaelo would drive Bartolf mad with his fussing.”

The elderly Bartolf was far more likely to be riding south to consult with Magda Digby about one of his mysterious ailments, which, according to the Riverwoman, were merely signs of aging in a man who moved as little as possible and drank wine to the point of passing out every night. Though of sufficient status and wealth to hold the position of coroner, he dressed more like a laborer except on official occasions, his clothes ill-fitting as he shrank with age, his copious white hair kept somewhat under control by a felt hat crammed low over his forehead, his pale eyes peering out through a snowy, greasy thicket. Many a widow in York yearned to clean him up—he had once cut a fine figure, when his wife was alive, and many remembered him with fondness. Today, he looked as if his horse had dragged him much of the way.

Owen dismounted. “Master Bartolf, Brother Michaelo, good day to you,” he called out as the riders drew up beside him.

“Benedicite, Captain Archer, Dame Lucie.” Michaelo’s delicately arched nose quivered with relief. “God’s grace is upon us, that we should meet you on the road home. We were on our way to Freythorpe.”

While the monk spoke, his companion had scrambled from his mount and made straight for Owen, latching onto his arm. “My son! My son! You must come at once. I’ve ordered them to leave him as we found him, though, God help me, it pained me to leave him lying in his own blood. But I said Captain Archer must see it all as it was. He will find who did this to my Hoban.”

“Hoban?” Owen looked up at Michaelo.

The monk crossed himself. “His son Hoban has been found dead in the forest. I have told Master Bartolf that you are the prince’s man and cannot be expected to help in this, but he’ll not be swayed.”

“I am nobody’s man at present,” Owen said.

“No?” Michaelo glanced over at Geoffrey Chaucer with a little sniff. “Your friend must be disappointed. But all the better for Bartolf Swann.”

Lucie reached down to touch Bartolf’s head. “This man needs care. Perhaps it is best that you let Brother Michaelo explain what has happened while I see to that gash on your head, Bartolf.” He had blood caked on his cheek and in the hair over his left temple.

“What do I care about my old head, Dame Lucie, my son is murdered—”

She had already risen and was stepping from the cart with Geoffrey’s assistance. “Let me see to you while my husband speaks with Michaelo.” She nodded to Owen and drew the old man toward the back of the cart, where she kept a basket of supplies.

Owen said a silent prayer of thanks for Lucie’s graceful intercession.

Once Michaelo dismounted, Owen asked him how he came to be escorting Bartolf Swann.

“Well you might wonder, Captain Archer. It seems he knows of your close friendship with the archdeacon. He thought to engage the archdeacon’s help in persuading you to take on the task of finding his son’s murderer. Archdeacon Jehannes advised him to leave you in peace to mourn Dame Philippa, but Bartolf would not hear of it.” Michaelo glanced over at the man with a look of distaste. “So many years serving as coroner, yet look at him— Did he believe his own seed immortal? But as I saw he could not be dissuaded, I offered to escort him to Freythorpe, as I know the way.”

“Father, what has happened?” Gwenllian asked sleepily from the cart.

“Hush, my love, it is some trouble in the city, nothing to do with you,” said Owen, kissing her and coaxing her to lie down beside her brother and rest. “We will be home soon.”

Lucie seemed to have noticed that Gwenllian had awakened and had drawn Bartolf farther off the road, in the shade of a tree. Alfred and Geoffrey held the man steady while Lucie cleaned and bandaged his wounds. As Owen went to join them he heard the old man muttering about dogs, his son’s throat torn, a bloody clearing near his home in the forest…

“He was savaged by dogs?” Owen asked Michaelo, who had followed him.

“So he says.”

“Bartolf’s dogs?” Swann kept a brace of hounds at his property in Galtres.

“He is adamant that his own dogs would never harm Hoban. But one wonders. Hoban’s purpose in riding out yesterday evening had been to bring the hounds back to his home in the city, where his father has been biding. This morning, discovering Hoban had not returned, Bartolf took a servant and rode out. They found him in a clearing. You see how little control he has. He might have alarmed the hounds.”

“And the hounds?”

“Gone. As is his horse.”

“Not at the house?”

“No.”

“Why did he ride out in the evening?”

“I have asked as little as possible, Captain. I should say that he had enough presence of mind to request one of the York coroners to record the death, knowing he could not do so with any clarity.”

“The coroner will have left a guard over the body. Good.”

Lucie joined them. “I have given him something to calm him. He will soon sleep.”

Indeed, he seemed half asleep already, propped against the trunk of the tree, eyes closed, his breathing rough but beginning to calm.

Crouching down beside Bartolf, Owen gently roused him. “You will ride back to York in the cart with my wife and children, Bartolf. Alfred and Master Chaucer will accompany you.” He glanced up at Lucie. “Brother Michaelo and I will ride ahead.”

She nodded her agreement.

Owen and assisted Bartolf to his feet. “Michaelo says that one of the York coroners was out there?”

“Gerard,” said Bartolf, his voice weak. “Been and gone. Left his men to guard my son.” He clutched at Owen’s sleeve. “You will find my son’s murderer? You will see that justice is done?”

“I will go to the forest and learn as much as I can,” said Owen. “That is all I can promise for now.”

“Do not leave me behind!”

Lucie met them at the cart. “Bartolf, you and I must go to Muriel. Remember, she carries your son’s child. She must not feel alone.”

“Muriel. Oh, my poor daughter.” Bartolf gave a sob of dismay. “I meant to send for Mistress Alisoun. Pray God someone had the wit to do so.”

Thank you for reading!

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